I’m incredibly open about my past, which was basically 24 years of constant trauma. (The last six have seen their trauma, but nowhere near the first two and a half decades of the hellscape I called home.) So fun! It’s a huge part of my life and led to my career in social justice and writing and depression (kidding?). If I could separate me the person from me the traumatized, I fucking would. But I can’t. It is ever present. A character in my story. It comes up. In my stories and especially in my humor. If you don’t like dark humor at my own expense… I’m probably not for you. To be in my life is to have some familiarity with my trauma. Don’t confuse that with bonding or asking others to take it on. I’ll carry that weight; I’ve got this; it’s not new. My pain is a familiar companion.
My trauma solidified my existence as a raging intersectional feminist in search of knowledge.
When a new person starts to enter my life in a non-surface relationship, I tend to give the ten minute run down. Friends, dating, whatever. The rundown will happen sooner rather than later.
I am not trauma bonding.
Sharing the events that made me is as necessary as where I’m from and who my siblings are. I am a writer who specializes in memoir work. One of the biggest reasons I give the rundown is because I want a person to find out from me what happened to me. It’s a heads up. A hey, I’m okay. I don’t want them to find out all the really violent and awful things that were my daily life through an Instagram post, an article on Medium, through my blog, on Facebook, or worse a 280 character tweet. I’m not about to do that to a person cause that just feels shitty to me. I wouldn’t want to find out someone I care about even a teensy bit was gang raped at nineteen. I want people to know I’m okay; I’m not a sploot on the surface of the Earth. I’m a broken, thriving human.
I am not trauma bonding.
My story opens the door for people to tell me their own stories. Or not. It’s up to them. I’m not trying to have a good cathartic cry and feel my feelings with someone. No one gets that. Tears and devastation are left for solo road trips and hot showers. I’m not looking to be raw and open. I’m looking to change the world, even if it’s just in small ways. My story is not new, but it has had an impact on people’s lives; helped them find their own voice; not feel so alone; know someone somewhere sees their pain and cares. My story is in the world because I want to end the stigma for survivors, for those who did not survive, for those who have yet to survive. Maybe my story will stop someone from going too far and creating another survivor. I don’t know. Do we ever really know the impact of our existence in the world? All I know is that I have a voice. I have a past. I will use my voice to do as much good in the world as I can.
I can be broken and strong, femme and capable, vulnerable and resilient, traumatized and healthy.
I am not trauma bonding.
I am simply preparing people for what the reality of being in my life is. To stand by my side in any significant capacity is to bear witness to pain that was, is, and will be. Though the events of my past are solidly in my past, the consequences and pain are ever evolving. I’m constantly reconciling and healing. Honestly, I’m also testing the waters to see if this new person can handle it. Out of sheer self-preservation, I’m not going to let myself become emotionally involved with someone who will flee when the hard stories start coming up. Let alone if they invest a lot of time and get to the point where they may see the consequences of another’s actions in the form of my anxiety, PTSD, depression, and OCD. The truth is, I am a bit of a mess. My life and mental health is really in a good place considering, but that doesn’t mean I don’t have bad days. I want to know I can potentially show a side of me that is not completely together and capable. I don’t want to hide integral pieces of myself. Fuck, I’m not going to stop writing, talking, and fighting for change because someone is uncomfortable with my past; I’ve been there too many times to do it again. I take pen to paper, fingers to keys, putting that pain on display for the world to see and hopefully feel. This is my job. This is my purpose.
I am not trauma bonding.
Silence was my protector for so long. I refuse to be silent. I refuse to be a well behaved woman. I am strong. I am broken. I am clumsy. I am kind. I am funny. I am sad. I like to think I’m smart. I am multitudes. But I am traumatized. I am not asking a single person to take that trauma on. It is just a story among many stories of my life.
I raised those puppies and that dog in the midst of a global pandemic while depending on the kindness of family and friends as we bought a house as we dealt with rare puppy disorders as we coped with Dylan losing his job as my work slowed down to a near halt as we criss-crossed the country.
Me living my life.
For the first three months of the pandemic, I was stuck inside with fifteen dogs, of which thirteen were completely dependent upon their mama and me. I was run ragged to the point of complete exhaustion. My body was even starting to give out under the physical strain of toting around thirteen large puppies.
As a constant struggler of anxiety, depression, PTSD, and in a perpetual nihilistic crisis, it was not an ideal time to be trapped inside with me, myself, and my multiple internal narratives of doom for company.
Now, I work from home under normal circumstances, so I am very used to my own company. I used to joke about never leaving the house, but that’s not nearly true. I was always on the go. Having lunch with friends, traveling, going to dog parks, attending events, exploring fun Houston things, creating content, and so much more. My calendar and life were filled with talented people who inspire me.
Everything changed. The puppies gave me a brief respite. They’ve helped alleviate the catastrophic train wreck that would have been my mental health with their pure existence in my life. But during the pandemic, I’ve felt like I’m watching my impending quarter-life crisis trundling right at me for all of the reasons: imagined and real.
I turn thirty in one week. I am not one of those women who are scared of turning thirty. In fact, I quite embrace it. The vast majority of me is so ready to be out of my twenties. Those really sucked a big D. I’ve gone so far as to preemptively tell people I’m thirty for the last few months because why the fuck not. At the same time, thirty does come with its fair share of burdens.
As a woman, this is an age where culture, society, the media are persistently confronting me with an alarm clock ticking down the time left on my worth to and in this world.
I feel like time is running out. I’m almost thirty. Society is a barrage that, as a woman, life ends at thirty. I know it doesn’t. So far all the women I know over thirty have not ceased to exist when their 10,957 day arrived. But, no matter how hard I’ve tried, I can’t help internalizing all the cues telling me life as I know it is over for me and, in a week, I’ll be shipped off to the glue factor with last month’s Kentucky Derby winner—who even remembers that horse anyways. I think if we took the part where I had to age in society out of the equation, I wouldn’t care at all. If I could hermit á la Michel de Montaigne circa 1571, I don’t think I would give a rats ass about aging and this post wouldn’t exist at all. Unfortunately, I must be of this world.
Me wearing the bikini and being all but thirty in this world because I can and will and won’t stop.
I would be 100% lying to you if I said, “I have not ended up covered in snot crying on the kitchen floor being held by my partner as the dogs try to figure out what’s wrong with their seemingly resilient mama because I’m getting older and the world will stop looking at me and stop caring because I have a gray hair (I haven’t found one yet; that’s not a lie) and the hints of forehead wrinkles so none of my big dreams will come true because they haven’t come to fruition yet and all this work has been for naught and fucking life is hard.” That would be a lie. It would be a lie if I said it didn’t happen at regular intervals over the last two years. I’m not scared of getting older, but I’m scared of how the world will treat me as I get older. The world hasn’t been kind to me for the first thirty years when I was apparently worth something, so how the hell is it going to be for the next seventy years? Society tells me: not great.
Life is terrifying. There is so much to process, handle, solve, enjoy, escape, see, do, taste, smell, and avoid all the time; honestly, I love each and every one of those pieces of living life. But being an aging woman is just terrifying. I know it’s different for me than it was for my mother and grandmothers, but things haven’t changed so much that wrinkles and grays and numbers don’t matter in the world. They do. And I don’t really care for anyone to tell me otherwise because my entire life all I’ve ever been validated for is my looks and what that means for my place in the world. The marriage I could make, the doors that will open, the way life will be “easier” because I was tall, thin, fair. So for me and my life experience, the moment my boobs start to droop, my waistline starts to expand, my hair starts to thin, my skin starts to slacken, what will I be? Who will care? It doesn’t matter and has never mattered that I’m intelligent, well-spoken, a linguist, possess a wicked wit, kind, giving, accepting, an activist, a writer, a creative, a critic, a dog mom, a friend, and all the other things that actually make me me and interesting and complex. My existence has always and almost solely been validated and made worthy by the way I look.
Who I am has always just been a positive addendum to the way I look.
I have never liked close up portraits. My teeth are funny. My nose is weird. I’m hyper critical of everything. As I get older, I see the lines, the pores, the acne that had never been there, everything. But if I don’t take them now, I never will, and I’ll look back and say, “damnit, I should have.” And I don’t do regret.
So… I love getting older. I’m wiser, funnier, smarter, humbler, more experienced, a better listener, a better talker, a deeper thinker than I was at twenty. I think I’m cuter, but that’s probably because I know how to do my makeup better. I truly and completely love getting older. Life is so much better than it was twenty years ago, ten years ago, a year ago. I know myself more completely. I am happier at a week away from thirty than I was at a week away from twenty.
But… I’m scared of getting older. I don’t know how the world will treat me. I know how the world has treated women. I know how I want the world to treat women. And goddamnit, I have the audacity to age like the women who’ve come before me.
Now… I can only do one thing. Wake up tomorrow and keep on living my life. I’m going to moisturize and exercise—sometimes, infrequently, it will become a habit—to fight off aging physically, emotionally, but most of all mentally. More than anything, I’m going to keep working on my dreams. I’m going to keep creating new dreams. I’m going to strive for happiness. I’m going to live my life fully and enthusiastically surrounded by weirdos who love life and me. I’m going to support women and be everyone’s cheerleader. I’m going to be kind and find beauty in my body as it changes with the days and years I have ahead of me. I’m going to write. I’m going to lift up women’s voices of all ages because the world needs to remember that we women continue to evolve not stagnate. I’m going to tell my stories because I have seventy more years of stories, and I’ve hardly started on telling the first thirty years. My life isn’t over. I’m not done living. I will age with audacity.
bisous und обьятий, RaeAnna
Shop the Post [show_shopthepost_widget id=”4464196″]
I read Kate Chopin’s The Awakeningtwice in high school, but I haven’t touched it since.
Normally, I write book reviews, but this is more of a book forward, a book impression, a book remembrance. I read it for the first time and fell deeply in love with this classic, feminist triumph of a novel, but I’ve been scared to return. As a young woman, it came to me while I was in the midst of my own battle against the patriarchy, man, and family for freedom of self. My uncertainty to open its cover once again is out of fear. Fear of what I will find it would do or maybe what it wouldn’t do. Would it mean the same thing it did to sixteen year old me as it does to twenty-nine year old me? Not only am I stronger and more broken, I have been of this world longer with its misogyny, laws, patriarchy, double standards, abuse, and more. I’m also a more experienced reader. So of course The Awakeningwon’t mean the same to me today as it did a decade ago, but I was scared it would mean less.
Literature with a capital ‘L’ arrived on my bookshelf when I was eight. I was an overachieving priss of a child; children’s literature did not speak to me. I love Literature because I didn’t get it right away. It demanded an understanding of the vocabulary, history, culture, and more in which it was written and set. I yearned for knowledge. Literature made me do the research; in a time before Google and the internet, it was an interactive experience as I read one book surrounded by a dictionary and encyclopedia. As much as I loved Literature, I craved more. I craved seeing myself on the page. Even as I kid, I knew I was not being represented in the pages I so loved. There is very little written by women. More exists than meets the eye, but even as an educated reader and researcher, finding older works by women takes effort outside of Dickenson, the Brontës, Alcott, and Austen. It was years before I found Woolf, Morrison, Eliot, Shelley, Wollstonecraft, Duras, Wharton, Cather, Plath, Lee, Stein, Beauvoir, Angelou, Gaskell, Lennox, Stowe, Hurston, and of course Kate Chopin. All of whom have shaped me as a reader, writer, and most importantly as a woman. Chopin was my gateway into a world of writers writing about me, my plight, my pain, my existence in a world not meant for me. Even a hundred years later or more, the words these women wrote represented my place in the world. Chopin wrote in the late nineteenth century, and she rocked society with her daring works about the internal and external lives of ordinary women daring to live.
The Awakeningwas the first book I ever felt a deep connection with. I was a young reader beginning to understand the importance of Literature, representation, feminism, activism, and more. I was starting to come into my own as a thinker with a vagina. I was beginning to grasp at what it meant to walk this earth as a woman. A lover of Literature and history, I was probably more aware than most fifteen year old girls of women’s historical lack of autonomy. Historical being the key word. I did not feel equal, and I wanted equality, but I knew it wasn’t mine. Even with my fundamentally better understanding of history, I had yet to grasp the whys or the hows or the history or the culture or any of it. I just had a feeling. This book came into my life when my life was changing from bad to worse to what I would eventually title “Hell”. As I read The Awakening, I was struck by the realization that I knew very little had changed for women. I could wear pants like the boys, but I would never be like the boys. I was a girl. America had never been the land of the free.*
Four months after I experienced my first sexual assault in the lunch room by a school administrator. Four months after I told my mother. Four months after she told me to keep quiet and see if it would happen again. Three months after my first kiss at the Winter Formal because my mother told me I had to or I wouldn’t have a boyfriend anymore. Three months after I realized no one would protect me. Two months after I realized I was only worth something connected to a man. I was a freshman in high school. I was experiencing my first tastes of being a woman.
It was the summer I turned sixteen. I had new boyfriend because that’s what sixteen year old girls do. But I had no faith in men. No faith in women. No faith in family. No faith in people. I felt utterly alone. With no one to protect me, to understand, to hold my hand, I was accepting that to be a woman was to be alone.
What I had read in history was not at all in the past. Nothing had changed really. Being a woman meant being an object for male consumption. Some took gently. Some did not. It would be another year before I learned how much they could and would take without permission, without waiting, without caring I was human. And if I turned to women, they would not protect me if they believed me at all. My mother taught me that.
At sixteen, the next seventy years looked like a lonely, losing battle. What was the point? Did all women feel this way? Why weren’t they do anything about it? I was years away from understanding the nuance of internalized misogyny and all the culture shit we are taught to swallow, believe, conform to, and uphold as women. But I already knew existing like that in this world was not for me, and so I already had a few suicide attempts under my belt. I had very little desire to live even before the first of many men took what he thought was his right.
And then Edna walked along a Grand Isle’s beach and dared to yearn for more than motherhood and wifedom. We were separated by a century. We were separated by experience. We were separated by so many things, but I understood her. She didn’t save my life, but I felt seen. I felt validated.
I reached out to my fellow bibliophiles asking for their opinions on The Awakening, on Edna. The few who had read the book hated Edna. They found her shallow and selfish. The ending was completely unrealistic. What woman with a life of leisure would walk into the ocean? What wife would leave her husband? What mother would choose death over her children? To me, it was the perfect ending to her story. I was frustrated by the vitriol. How could they not understand? She was alone and desperate, leading a meaningless life.
The Awakeningwas the first time I saw a female character with any emotions or internal life I could comprehend and identify with; probably because she was the first woman written by I woman I had read. Edna was the first, but many have come after her.
My concept of womanhood has evolved over the last thirteen years. I am no longer the optimistic sixeen year old, but I’m no longer the devastated sixteen year old. All is not completely lost, though I have a dismal view of the present and near future. My world view is complex, and I know I am on a lifelong search for my place and role in society. Not all share my view of womanhood, nor should they. But I will continue to fight for every woman. As a twenty-nine year old, I know my life has seen challenges many have never and will never seen, but it has also been blessed in many ways. Pain is not a competition. I acknowledge my many privileges and disadvantages. Pain is not the only thing I have known, but pain is still central to my experiences as a human and as a woman.
Kate Chopin, The Awakening, and Edna gave me validation. Someone understood. 122 years ago, a woman knew the pain I knew and dared to want more.
I am not going to review The Awakening. For so many reasons, one of which being: I don’t want to. Another being: It would be a very long review. My fears ended up being unfounded. The book means more to me as a grown ass woman than it did as a teenager. I found the nuances, narrative, and storytelling far more enthralling than I had thirteen years ago. Not only did I fall more in love with Edna, I fell out of love with her husband, paramour, and female companions. What had seemed like a love story years ago is anything but today. It isn’t romantic but deeply depressing. I could identify the tragedies with the eye of an analyst and the heart of a woman and the mind of a partner. I saw the craft in Chopin’s work and the soul in her story. The Awakening spoke to me in new and more powerful levels.
Edna is very much alive.
bisous et обьятий, RaeAnna
Shop the Post [show_shopthepost_widget id=”4446088″]
*This is being written from the perspective of a white woman as I look back at the views I had as a teenager exploring my own place in this world as a woman through the knowledge, resources, and books I had at my disposal. It would be several more years before I learned the term “intersectionality” and began applying it to my own life, views, feminism, and activism. Up until that point, feminism and racism were uniquely separate issues because that is all I knew. Black women suffered racism. Black women suffered feminism. I wanted equality for everyone: men and women, Black and white and Asian and Hispanic and everyone in between. I was more apt to identify as a humanist than a feminist. My fundamental beliefs have remained the same, but my terminology has expanded to better encompass and express my desires for intersectionality, equity, and advocacy.
Worth A Read Yes Length 384 Quick Review Laura Lippman has made a career creating villains and taking them down in her novels. At sixty years old, she has found herself a villainess. The real, living breathing kind.
Laura Lippman is a badass and proves it on every page of her memoir, My Life as a Villainess.
At sixty, Lippman loves herself; that—in and of itself—is a feminist revolution and reason enough to be deemed a ‘villainess.’ She knows it and doesn’t shy away from the ugly truth of being a woman daring to age instead of keeling over dead at 29, “Every day, everywhere I go, the culture is keen to remind me how repulsive I am.” The level of transparency she takes on is incredible. Tackling womanhood head on and all that it encompasses, age, money, body image, career, marriage, motherhood; nothing is off limits, and she does through humor and razor sharp observations, “People talk about the White House distracting us, nothing has distracted me as much as this stupid battle with my weight and my looks, both of which are fine.” Honestly, though, if women (as a whole unit) focused more on the White House/Congress/Policy/Anything and less on contorting our bodies into unrealistic and often hostile conflicting expectations, we would get so much shit done. Lippman knows this and gets even more pointed about it the further on you read, “What would happen to the global economy if all the women on the planet suddenly decided: I don’t care if you think I’m fuckable.”
Motherhood is often looked at as a necessary milestone to leveling up to real womanhood. *cough* *cough* Crap. Sorry was that unladylike? I don’t care. No matter how a woman chooses to live her life, as a mother or not, she will never do it right or well enough in the court of public opinion. Lippman became a mother at 51 and that journey came with its fair share of trials and tribulations. She doesn’t shy away from the role money played in becoming a mom later than most. Her transparency about the fact her family’s hard work led to the financial ability of being able to create a family on their own terms is admirable. She doesn’t apologize for having money or using it to become a mom, nor should she. Women are often pressured to apologize for anything and everything especially when it pertains to taking control over their own bodies, desires, and motherhood.
Lippman is going through life on her own terms and experiencing it through the lens of a funny writer with a legacy of talented writers, her father being a journalist. Menopause and social opinion of menopause does not escape her scrutiny, “Menopause doesn’t make women want to die. It makes other people wish we would die, or at least disappear.” With a journalist’s background, she did her research. Humans and pilot whales experience menopause. Why? There is no answer or reason that science has come up with yet (which is another topic entirely: the lack of female research and representation in scientific data and interest, but I’m off topic now), but Lippman has her own theory, and you’ll have to read her book to find out what it is. You’ll enjoy it, unless you have no sense of humor.
It’s not all fun and games. Lippman takes on topics of being a bad friend, her competitive streak, and sexual harassment. These are all things humans and women struggle and live with daily. One of the most poignant and moving moments is when Lippman writes, “It was never about what I was wearing. It wasn’t even about me. That was the hardest lesson to learn.” It’s advice I have given in my own words to many women and girls. We are women. We are strong. But we exist in a world that does not respect our right to exist. The world tears us down and makes us small. The act of being ourselves, taking up space, and living our lives is an act of rebellion. It is the essence of being a villainess.
I strive to be a villainess in my own life… and hopefully the world. | Skirt | Top | Sunglasses |
My Life as a Villainessis a documentation of Lippman’s journey to being a self-assured and confident woman with a whole lot of life behind and ahead of her. All the while telling her story, she dares the reader to ask themselves: What do I want? What do I really want? Whether it’s food, a career, children, travel, money, whatever. Ask. What do I want? What does my body really want. What does my mind want. All the time. Never cease asking or growing into the villainess every woman should strive to be: an authentic version of our truest selves.
I strongly recommend every woman who isn’t going to die before their teenage years come to an end read this book. Women and girls need to see strong, unapologetic, successful, interesting women, who have created their own paths in life, and Lippman is just that. She’s not perfect. In fact, she’s a mess, which makes her more relatable and worthy of being a role model. My Life as a Villainessis a phenomenal memoir about existing as a woman in the world.
Memorable Quotes “If grudge-holding count for cardio, I’d have run the equivalent of many Boston marathons by now.” “That’s the final step in accepting one’s gorgeousness. You then have to concede everyone is gorgeous.” “Social media can take a friendship only so far.”
bisous und обьятий, RaeAnna
Buy on Amazon | Buy on Book Depository Shop the Post [show_shopthepost_widget id=”4345690″]
Title: My Life as a Villainess Author: Laura Lippman Publisher: William Morrow (HarperCollins) Copyright: 2020 ISBN: 9780062997333
