Books – Page 13 – …on the B.L.

The Summer Tree by Guy Gavriel Kay

November 7, 2019 RaeAnna

Worth A Read No
Length 383
Quick Review A group of people are magically transported to another realm, which is in the middle of a war.

Reading The Summer Tree by Guy Gavriel Kay | Jumpsuit | Earrings | Watch

My best friend loves Guy Gavriel Kay’s writing. He has been bugging me for about a decade to read one of his books, so finally I did. The Summer Tree was an obvious place to start because it’s the beginning of the Fionavar Tapestry series. Much to the dismay of my best friend, I hated it. Genuinely. The story is interesting, but the writing is horrible. I don’t know where the editor was, but they weren’t doing their job with this one.

Five acquaintances are whisked away to Fionavar for a celebration by magical beings. They accidentally find themselves at the center of a war spanning many lands. The plot is inventive but not necessarily original.

The Summer Tree dives right into the action. Often times, this is a great way of making the reader keep reading. Kay made a grave mistake in having the action begin immediately: there was no emotional investment in the characters. All this stuff was happening to them, and I had no interest or connection to them. Why should I care? They were flat and uninteresting. They are underdeveloped, which does not allow readers to connect with them or even for the characters to connect with each other.

I’m all for fantasy. It’s not my usual genre, but I do love Tolkien and C.S. Lewis. From Kay’s writing style in The Summer Tree, it’s evident he also admires Tolkien. He was trying for a Tolkienesque narrative but had problems carrying it out throughout the novel. On top of that, his descriptions are overly flowery but lack any concrete imagery. The dialogues are clunky and do not feel like anything real people would say to other real people. Kay tends to foreshadow often in a give-it-away style. Simultaneously, he does not explain things at all. Maybe, he’s leaving those mysteries to be spelled out in the other books, but it just feels riddled with plot holes. One of the most irritating aspects of the narrative was Kay’s repetition. I love repetition. It’s an amazing literary device, but he just does not do it well. I think he was trying to be poetic, but came across like he was suffering from short term memory loss.

One of my biggest issues with the book is Kay’s inability to write compelling women. I question if he’s ever talked to a woman. He has no idea how to create female characters with interesting emotions and motivations. There are also bits of odd sexual torture; they are abrupt and make absolutely zero sense. As a rape survivor, it was offense and insensitive. More importantly than that, it was unrealistic. Fantasy or not, sexual violence should make sense and be done in a way that mimics reality.

Kay tries for an epic on the same level of Tolkien’s Middle Earth, Lewis’ Narnia, or Martin’s Westeros, but it echoes hollow. An idea with a lot of promise but a deficient execution. The Summer Tree does not have the emotional wallop an epic requires.

Memorable Quotes
I found no memorable quotes because the writing was painful to read.

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Title: The Summer Tree
Author: Guy Gavriel Kay
Publisher: Roc
Copyright: 1984
ISBN: 9780451458223

Books, Fiction

You Think It, I’ll Say It by Curtis Sittenfeld

November 6, 2019November 6, 2019 RaeAnna

Worth a Read Yes
Length 256
Quick Review A collection of short stories chronicling and eviscerating characters navigating everyday problems of the modern era and socioeconomic status, gender, and love.

You Think It, I’ll Say It by Curtis Sittenfeld | Dress | Earrings | Basket | Watch | Flower Crown

You Think It, I’ll Say It by Curtis Sittenfeld in a basket of flowers.

Curtis Sittenfeld is one of my favorite authors; I have several of her novels sitting on my bookshelves – only one is unread. I came upon her writing in The New Yorker a few years ago, and I have been a huge fan ever since. In my opinion, she is one of the best contemporary writers. There is no hesitation in her stories to put words to thoughts, emotions, and judgements just about everyone can identify with. Her short story collection, You Think It, I’ll Say It, is no different.

I was familiar with one of the stories in the book because The Prairie Wife had previously been published in The New Yorker, but that didn’t stop me from reading it again.

Every story is told from the first person perspective. Sittenfeld has the ability to really bring the reader into the mindset of the character in that moment of their lives without having to spell everything or give an overwhelming amount of backstory. There is a rare artistry in the way she portrays each person with their own way of speaking, thinking, and processing the situations they find themselves in. Every story and character is a critique on the modern world and society; in one way or another, there is an essence of You Think It, I’ll Say It.

Sittenfeld tackles the subjects of marriage, emotional infidelity, class, education, gender roles, sex, finances, and so much more. Each story creates a picture of what living in today’s world looks like and our unique ability to silently watch and judge the entire world’s actions from the comfort of our own homes.

Relationships are at the center of You Think It, I’ll Say It, whether they are romantic or platonic relationships. Relationships are at the center of being human. Sittenfeld has no problem completely eviscerating her characters, their choices, and their motivations. It’s entertaining to read, but is entirely all too relatable.

I really loved reading this collection of short stories. They’re beautifully told. Perfect for the moments you don’t have time to emotionally invest yourself in a novel, but you want something engaging and thought provoking. You Think It, I’ll Say It has everything I want in fiction.

Memorable Quotes
“It’s not that she’s unaware that she’s an elitist asshole. She’s aware! She’s just powerless not to be one.”
“It turned out that simply by celebrating this particular birthday, I’d crossed some border of nonconformity, and while I still could – can – turn around, retrace my steps, and assume citizenship in the nation of wedlock, the expectation seems to be that I won’t.”

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Title: You Think It, I’ll Say It
Author: Curtis Sittenfeld
Publisher: Random House
Copyright: 2018
ISBN: 9780525508700

Books, NonFiction

Trick Mirror by Jia Tolentino

October 24, 2019 RaeAnna

Worth A Read Definitely
Length 303
Quick Review Jia Tolentino is the kind of writer who proves the pen can be sharper than a sword. She cuts through bullshit in Trick Mirror, her collection of observational essays on American culture.

Reading Trick Mirror by Jia Tolentino | Skirt | Shirt | Watch | Earrings | Ring

I want to be Jia Tolentino’s friend. a) I think we have a lot in common. b) She’s probably smarter than me, so she’d be interesting to talk to. c) I have a feeling she’s hilarious. Tolentino is a writer for The New Yorker, and after reading Trick Mirror, I’m not surprised. It is a brilliant combination of observation and critique of modern American culture. She spares no one, including herself, as tackles reality TV, politics, feminism, marriage, poverty, religion, the housing crisis, college debt, and so much more.

Trick Mirror is like reading a book about sticking it to the man, but really it’s about the institution of everything. Tolentino has strong opinions but the brains and eloquence to back them up. I have a huge list of quotes, and I could probably discuss this book at length, but I will keep this manageable.

Tolentino is a strong, independent woman, and it oozes through in every part of her writing. For me, the most memorable moments spoke to feminism and gender inequity. Women are at a disadvantage in this world; that’s not knew. Tolentino brings a beautiful perspective to the issue laced with anger.

“When you are a woman, the things you like get used against you. Or, alternatively, the things that get used against you have all been prefigured as things you should like. Sexual availability falls into this category. So does basic kindness, and generosity. Wanting to look good – taking pleasure in trying to look good – does, too.”

Basically. You’re fucked if you do, fucked if you don’t. In a busy world of technology and the constant need to go, improve, work, and succeed, optimization seems to be on everyone’s mind. It is even more prevalent for women.

“The ideal woman has always been conceptually overworked, an inorganic thing engineered to look natural. Historically, the ideal woman seeks all the things that women are trained to find fun and interesting – domesticity, physical self-improvement, male approval, the maintenance of congeniality, various forms of unpaid work. The concept of the ideal woman is just flexible enough to allow for a modicum of individuality; the ideal woman always believes she came up with herself on her own.”

There has always been a pressure on women, but it has never existed like it does today with the advent of technology and social media. Women are under constant scrutiny from the people they know to complete strangers. Tolentino speaks about the oppression and subjugation women deal with on a daily basis masquerading as free will, love, freedom, and more. I personally identified with the very last chapter, “I Thee Dread” and the sentiment “becoming a bride still means being flattered into submission.” Tolentino doesn’t even spare love.

Fun fact I previously didn’t know: Louisiana still requires children to take the husband’s last name for a birth certificate to be issued. Fuck Louisiana!

If you haven’t figured it out by now, I read a lot. My favorite books tend to be classical literature. In the span of a few paragraphs, Trick Mirror discusses all of my favorite books: House of Mirth, Tess of the D’Urbervilles, Madame Bovary, The Awakening, The Second Sex, and Tolentino sums up the plight of female characters quite nicely, “Adult heroines commit suicide for different reasons than teenage heroines do. Where the teenagers have been drained of all desire, the adults are so full of desire that it kills them. Or, rather, they live under conditions where ordinary desire makes them fatally monstrous.”

If you’re into essays, nonfiction, or reading about how fucked up society is, Jia Tolentino and Trick Mirror are for you. She’s witty and engaging. Bringing her personal stories and rooting them in the problems the world. She’s relatable and interesting. I personally identified with the whole book, but I’ll leave you with this gem, “I don’t want to be diminished, and I do want to be glorified – not in one shining moment, but whenever I want.”

Memorable Quotes
” Even as we became increasingly sad and ugly on the internet, the mirage of the better online self continued to glimmer.”
“There was something, maybe, about that teenage religious environment, the way everyone was always flirting and posturing and attempting to deceive one another, that set us up remarkably well for reality TV.”
“The Trump administrations is so baldly anti-woman that the women within it have been regularly scanned and criticized for their complicity, as well as for their empty references to feminism.”

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Title: Trick Mirror; Reflections on Self Delusion
Author: Jia Tolentino
Publisher: Random House
Copyright: 2019
ISBN: 9780525510543

Books, NonFiction

Text Me When You Get Home by Kayleen Schaefer

October 22, 2019 RaeAnna

Worth A Read Yes
Length 281
Quick Review “Text me when you get home” is not just the title of Kayleen Schaefer’s book, it’s a phrase almost every woman has uttered for a lot of reasons, which Schaefer delves into in her look at modern womanhood and friendship.

Hanging out in a Houston Heights gazebo.

Text Me When You Get Home by Kayleen Schaefer | Sunflower Set | Shoes | Purse | Bow | Bracelets | Sunglasses | Earrings

Kayleen Schaefer had me at the title Text Me When You Get Home; The Evolution and Triumph of Modern Female Friendship because it’s an evolution and triumph in my own life. As a woman who grew up with mostly guy friends, I have found myself solely surrounded by women in my adulthood. I grew up thinking I was a guy’s girl; it turns out I don’t miss being one of the guys at all. Schaefer describes the phenomenon women are experiencing: female friendship is awesome and nothing like the media has been portraying it. Reading Schaefer’s words feels like unraveling my complex emotions and opinions on more than just female friendships but also my own identity as a woman and writer living in a male dominated world.

Text Me When You Get Home seems to be an anthem for women around the world “because women who say, “Text me when you get home,” aren’t just asking for reassurance that you’ve made it to your bed unharmed. It’s not only about safety. It’s about solidarity. It’s about us knowing how unsettling it can feel when you’ve been surrounded by friends and then are suddenly by yourself again. It’s about us understanding that women who are alone get unwanted attention and scrutiny.” I think we’re really saying I’m with you even when I can’t be with you.

Schaefer explores the complexities of female friendships and why they tend to seem so damn hard. It turns out, it’s really not our fault at all. Feminine self-hatred is so ingrained because: the media. At every angle, women are taught by the media that we’re catty, mean, unstable, crazy, hormonal, indecisive, and less successful. This ideology is forced down our throats so much it enters our conversations and how we interact with other women, which only reinforces these ideologies. The fact is, none of this is remotely true. It ends up being a cultural self-fulfilling prophecy rather than biological inability to love and support the ladies in our lives.

Female friendships are more complicated and deeper than male friendships because women are willing to go deeper, do the work, and lean in to one another. Schaefer isn’t afraid to take on the hard topics in Text Me When You Get Home. Friendship is influenced by everything, and women have to overcome all of these difficult topics and societal failures in order to have a nurturing and wonderful relationship. From the data bias (explored in depth in Caroline Criado-Perez’s Invisible Women) to the biological “tend-and-befriend” response to New York City’s female only residences (Barbizon, the most famous, is featured in Fiona Davis’ The Dollhouse and was home to Silvia Plath) to marriage to feminism to careers.

The most poignant moments in Text Me When You Get Home are when Schaefer talks about her personal experiences as a woman in a man’s world. The truly touching points involve her own evolution as a woman and discovery of female friendship. Female friends feed the soul in a way a man in any capacity is not able to, “I wanted my friends to consider me as necessary as they had become to me. I wanted them to know that these were long-term relationships and that I’d be there for them, too, in any way they might want.”

In the past century, female friendship has been the in between; women are companions until a romantic partner is obtained. Historically this has never been true. The last century has seen women isolated and conditioned to depend on men in ways we never have as a gender in order to keep the status quo for as long as possible. This new generation of women is calling bullshit. We’re showing up for the good and the bad. We’re saying Text Me When You Get Home.

Memorable Quotes
“Men do not tell their friends to text them when they get home.”
“My friends took me out of the way I was taught to be and turned me into something better.”
“I thought making friends with women would interfere with my career in more ways than just distracting me from work. I thought if I wanted to be a writer, I had to look to men. That’s because real writers were men. No one told me this. They didn’t have to.”
“Marriage was something to look forward to, I was taught. Without a husband, you were supposed to feel incomplete.”
“For the first time in my life, I treated pursuing and tending to friendships seriously.”
“Women aren’t allowed to be jealous, angry, or vengeful, at least if we want to go on being seen as good girls.”
“It’s the incongruity between stopping ourselves from seeming anything but pleasant while ambitious, on one hand, and the belief that all women can’t have good things, on the other, that creates frenemies.”
“We can be protectors.”

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Title: Text Me When You Get Home; The Evolution and Triumph of Modern Female Friendship
Author: Kayleen Schaefer
Publisher: Dutton (Penguin Random House)
Copyright: 2019
ISBN: 9781101986141

Books, Fiction

Home for Erring and Outcast Girls by Julie Kibler

October 3, 2019October 3, 2019 RaeAnna

Worth A Read Yes
Length 400
Quick Review A librarian stumbles across a puzzling part of history in the Berachah Home, where erring girls went for a fresh start.

Reading Home for Erring and Outcast Girls by Julie Kibler in downtown Houston. | Dress | Belt | Earrings | Watch | Sunglasses

Home for Erring and Outcast Girls by Julie Kibler is a much better novel than I expected to encounter. There are so many ways Kibler could have gone wrong, but she didn’t. Diving into complex women’s issues and how society dealt with the women in question paralleled by a century of “change.” Based on a real house in rural Texas serving real women, Kibler builds a world full of sorrow and empathy.

In 2017, Cate is a librarian working in a Texas University Library’s archives and becomes fascinated looking through documentation of the Berachah home after stumbling upon a cemetery in 2017. She has a penchant for running and running away; she lives a solitary life aside from making a connection with one of her student workers. Dealing with a mysterious past, flashbacks to 1998 as a highschooler slowly reveal insight into her troubled past. In 1904, Lizzie Bates, Docie, and Mattie Corder are escaping the evils of a patriarchal society by finding refuge in the Berachah Home for Erring and Outcast Girls. They find solace surrounded by religion and other fallen women and their children as they are taught skills to fend for themselves.

Kibler touches on everything from drugs to rape to incest to abuse and more in this raw historical fiction about loss and friendship. Home for Erring and Outcast Girls drives home the fact that women take a backseat to men, always. Their plans. Their dreams. Their reputations. Their futures. This has been a truth for the majority of societies for as long as history can document. As much as things are changing, much remains the same. Including Cate, as a contemporary woman, shows the parallel between the two eras and how little has changed for women. How little choice there is.

The Berachah Home really did exist outside of Arlington, Texas and was founded by James and Maggie Upchurch. They had a revolutionary idea to keep the children with their mothers. At the time, mother’s were separated from their children without a choice, more often than not, when the children were born out of wedlock. There are real excerpt from The Purity Journal, which went out to graduates of the home and donors.

Abuse is a central point in Home for Erring and Outcast Girls. Kibler makes a beautiful statement I and many other survivors of abuse, loss, abandonment, addiction, rape, assault, and more have felt: “Or how I maybe didn’t fight hard enough, or say no the right way, or at the right times.” Guilt and shame are a raw undercurrent in this book about being helpless and reclaiming an identity in the after. Everyone survives their own hell, but so many of the emotions and recovery processes are the similar.

Religion is a character in its own right in this novel. It plays a role of savior but also demon. Kibler is not afraid to show the church in the light of benefactor and evil doer depending on the point of view of the character. Religion is not one size fits all, and everyone has different experiences. Even in the most positive of lights, the church do not do right by women. Women are often depicted as temptresses “because churches, in general, are still bastions of judgement masquerading as refugees of grace and acceptance.”

I was utterly surprised at how much I enjoyed this book. I wasn’t sure what to expect, but Julie Kibler captured my interest and respect with her cutting and insightful novel Home for Erring and Outcast Girls.

Memorable Quotes
“A room filled with people can be lonelier than solitude.”
“Her ma had done what she must to survive, and that was how it was for women.”
“It was always the man who took what he wanted, and the woman who lost everything.”
“Devastation was a pain you thought would never go away, and sometimes it didn’t.”

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Title: Home for Erring and Outcast Girls
Author: Julie Kibler
Publisher: Crown
Copyright: 2019
ISBN: 9780451499332

Books, Fiction

The Dollhouse by Fiona Davis

October 1, 2019September 30, 2019 RaeAnna

Worth A Read Meh
Length 289
Quick Review The Barbizon is now condos but used to house hundreds of girls looking to make it in NYC. What happens when the lives of a long-time resident and new resident collide?

Reading The Dollhouse by Fiona Davis at Glassell. | Dress | Watch | Earrings

The Barbizon really did exist as a women’s only residence in New York City. In 2005, the building was converted into condominiums. Fiona Davis creates a world where the two identities of the Barbizon meet in her novel The Dollhouse. A mystery with a touch of love and a lot of independent women searching for belonging.

Rose, a journalist, lives in the Barbizon with her boyfriend in 2016. Her boyfriend decides to go back to his ex-wife, Rose is left with a lot of time on her hands and a curiosity about the women who have been in her building for decades. Darby, an elderly tenant, never leaves her apartment without a veil, and the mystery piques Roses interest. Models, night clubs, drug raids, friendship, and more. Rose is on a journalist’s hunt with a personal investment.

Reading The Dollhouse by Fiona Davis. | Dress | Watch | Earrings

Davis crafts the plot of The Dollhouse well. The chapters alternate between following Rose in 2016 and Darby in 1952. There is restraint in the story telling and tries to add some good twists, but I found the plot fairly predictable.

Overall The Dollhouse maintains a nice pace throughout the story and avoids clichés until the last five pages when she throws a good book in the toilet. I actually did not mind this one at all, but the last bit just ruined it for me. Davis does a good job maintaining a consistent and interesting pace, but the ending comes quickly and suddenly. It’s as if her editor asked her to wrap everything up with a nice bow and throw the love story completely out of proportion with the rest of the story. It was saccharine and a little vomit inducing how spoonfed it was. What was an interesting story about finding oneself and relationships between women ended up being a deflated mess of an ooey-gooey love story.

If I could erase the last five pages, I would like The Dollhouse much better. I’m trying not to let the ending overpower the other nice 200 or so pages, but I can’t.

Memorable Quotes
“His eyes, which were the color of seawater, had a laserlike intensity that made politics the obvious career choice. That or terrorist interrogator.”
“Not scared of change, like Darby was, but scared of staying put, staying unchanged.”

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Title: The Dollhouse
Author: Fiona Davis
Publisher: Dutton
Copyright: 2016
ISBN: 9781101984994