Books

1Q84

Read Yes
Length 925
Quick Review Long but worth it. It’s a surreal, mystery, dystopian, fantastical love story. Technically it’s three books, but I read it in a volume of one.

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Haruki Murakami wrote 1Q84 in three separately published books; however, the translated version appeared as a single volume with subsequent publications separating them again. I read it as one, and my only complaint is it’s awkward to finagle that large of a paperback.

1Q84 is a woven narrative of two characters finding their way through a world they happen into towards one another. The characters are rounded, real, and tangible to anyone who has feelings. Though the storyline is dystopian and the plot full of things no one on earth will ever experience, the characters are reachable. Their overwhelming sense of loneliness uniquely captures an aspect of humanity everyone feels in varying degrees of severity.

Murakami explores themes like religion, cult, politics, love, fate, and ultimately humanity by stepping away from the world we live in into a dystopian universe with two moons.

I’ll be honest, I haven’t read any of Murakami’s other works. If this is the standard, I need to read more. Though, I’m sad it’s only available to me in translation. Books always lose things in translation. Since I have experience in the field, I always read translations wondering what was changed, what was lost, are their cultural things I’m not getting, etc., and I am left to wonder how fabulous the original happens to be.

It’s odd. Less than 200 pages from the end of the third book, the narration style changes briefly. Throughout the book, up until this point, the narrative focuses on the perspective of one character per chapter. Here, the narration includes the happenings of the other significant characters implying the convergence of the storylines. Normally, the narrator is third person from whatever character is the action of the chapter. In this minor section, the narrator is different. The narrator becomes omniscient for the blippest of a moment. Though subtle, it stands out because it veers so drastically from the 976 pages of previously dominating narrative. Just as quickly, the new style evaporates into the original. As far as the last 50 pages, the narration style is thrown into the air as everything comes together.

Memorable Quotes
“If you belong to the majority, you can avoid thinking about lots of troubling things.”
“Feelings like that don’t give you any choice, do they?” Aomame said. “They come at you whenever they want to.”
“‘Massacre?’ ‘The ones who did it can always rationalize their action and even forget what they did. They can turn away from things they don’t want to see. But the surviving victims can never forget. They can’t turn away.’”
“But people can never fully divorce themselves from the images implanted during early childhood”
“There is always just a thin line separating deep faith from intolerance.”
“Somehow the world survived the Nazis, the atomic bomb, and modern music.”

Title: 1Q84

Author: Haruki Murakami
Translated By: Jay Rubin (Book 1 & 2) and Philip Gabriel (Book 3)
Publisher: Knopf Doubleday Publishing Group
Copyright: 2011

 

Books

The Bell Jar

Read Yes
Length 244
Quick Review A young woman’s coming of age story as she grapples with working, the big city, friendship, sexuality, mental illness, and growing up female.

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Literally anyone who has any knowledge of remarkable literary works knows about Sylvia Plath’s oven incident, as well as her writing. The Bell Jar is such a widely referenced book, it’s surprising how few people have actually read it. I, myself, thought it would an incredibly dense and arduous book to work through. It always seems the shorter the book the more wearisome the syntax. I am ashamed to say I made it to 25 without having ever attempted to read it. It has sat on my must read list for a decade without once glancing at a copy in a bookstore. With pen in hand, a quiet room, a cup of tea, I sat down with the most serious of intentions to delve into this onerous work.

Never have I been so wrong.

I read it in a day, an afternoon actually.

Esther Greenwood is a young and talented girl exploring the world around her as well as herself. The Bell Jar is known as a book about depression, but it is more than that. It is a book about self discovery and coming of age. It is intrinsically feminist without meaning to be. Though many decades ago, the trials Esther experiences are so in tune with the trials girls go through today: self confidence, body image, boys, sex, dating, career, education, and mental health.

The female version of The Catcher in the Rye, I’m beyond disappointed this novel has not made it onto the required reading lists for high schoolers. Though complexly nuanced, it is no more taboo than a swearing, hormonal teenage boy.

Plath is an incredible talent (Ariel at a later date; I must read it first), who has been turned into a compounded punch line of the crazy writer. She is best remembered for her clinical depression and infamous suicide than her startling talent as a poet and novelist.

Memorable Quotes
“If you expect nothing from somebody, you are never disappointed.”
“The silence depressed me. It wasn’t the silence of silence. It was my own silence.”
“The trouble was, I had been inadequate all along, I simply hadn’t thought about it.”
“There is nothing like puking with somebody to make you into old friends.”

Buy on Amazon | Buy on Barnes & Noble | Buy on Book Depository

Title: The Bell Jar
Author: Sylvia Plath
Copyright: 2006
Publisher: Harper Perennial Modern Classics
ISBN: 9780061148514

Books

What Lies Between Us

Read Yes
Length 310
Quick Review This is a book where you think you know exactly what’s going to happen from the very beginning and you spend the entire book hoping it doesn’t happen. It’s a fabulous insight into a journey and thought process no one really wants to think about.

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Nayomi Munaweera writes What Lies Between Us, a compelling story about a young girl pulled away from everything she knows in Sri Lanka into a new existence in San Francisco, United States after a personal and familial tragedy. She learns how to handle herself and her background in a country entirely different from everything she knew in her home country.

Trigger Warning: If you can’t handle abuse, you will have a difficult time reading past the first thirtyish pages.

Munaweera writes a story grounded in heartbreak. The main character is vibrantly torn between herself and her culture, herself and her desires, and herself and her past. She walks through life carrying the same weight many abuse survivors experience.

If you read this books, which I hope you will, this is one of the more depressing sentences I’ve written: The protagonist, is one of the most relatable, human characters I have ever read. This is incredibly personal and absolutely not universal. You will have to read it to understand what I mean by this. So go out and buy it. You can even do that here, that’s how much I want you to read it.

Munaweera delves into a psychology so rarely visited or explored by writers or philosophers or anyone because the most basic instinct is to write off catastrophes and those consequences as inhuman. We dehumanize all that is difficult to comprehend, but how do we know what we would do unless we’re in the same position. It is hard to look past some horrors to their cause because we think it is impossible any caring or decent or even good person could commit these atrocities. It is hard to declare horrific acts as human, but in all reality they are.

What Lies Between Us explores one of my life’s mantras… Never judge someone unless you’ve lived their story.

Memorable Quote
“They say that family is the place of safety. But sometimes this is the greatest lie; family is not sanctuary, it is not safety and succor. For some of us, it is the secret wound. Sooner or later we pay for the woundings of our ancestors.”

Title: What Lies Between Us
Author: Nayomi Munaweera
Publisher: St. Martin’s Griffin
Copyright: 2016
ISBN: 9781250043948