Books, NonFiction

Text Me When You Get Home by Kayleen Schaefer

Worth A Read Yes
Length 281
Quick Review Text me when you get home” is not just the title of Kayleen Schaefer’s book, it’s a phrase almost every woman has uttered for a lot of reasons, which Schaefer delves into in her look at modern womanhood and friendship. 

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Hanging out in a Houston Heights gazebo.
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Text Me When You Get Home by Kayleen Schaefer | Sunflower Set | Shoes | Purse | Bow | Bracelets | Sunglasses | Earrings 

Kayleen Schaefer had me at the title Text Me When You Get Home; The Evolution and Triumph of Modern Female Friendship because it’s an evolution and triumph in my own life. As a woman who grew up with mostly guy friends, I have found myself solely surrounded by women in my adulthood. I grew up thinking I was a guy’s girl; it turns out I don’t miss being one of the guys at all. Schaefer describes the phenomenon women are experiencing: female friendship is awesome and nothing like the media has been portraying it. Reading Schaefer’s words feels like unraveling my complex emotions and opinions on more than just female friendships but also my own identity as a woman and writer living in a male dominated world.  

Text Me When You Get Home seems to be an anthem for women around the world “because women who say, “Text me when you get home,” aren’t just asking for reassurance that you’ve made it to your bed unharmed. It’s not only about safety. It’s about solidarity. It’s about us knowing how unsettling it can feel when you’ve been surrounded by friends and then are suddenly by yourself again. It’s about us understanding that women who are alone get unwanted attention and scrutiny.” I think we’re really saying I’m with you even when I can’t be with you.

Schaefer explores the complexities of female friendships and why they tend to seem so damn hard. It turns out, it’s really not our fault at all. Feminine self-hatred is so ingrained because: the media. At every angle, women are taught by the media that we’re catty, mean, unstable, crazy, hormonal, indecisive, and less successful. This ideology is forced down our throats so much it enters our conversations and how we interact with other women, which only reinforces these ideologies. The fact is, none of this is remotely true. It ends up being a cultural self-fulfilling prophecy rather than biological inability to love and support the ladies in our lives. 

Female friendships are more complicated and deeper than male friendships because women are willing to go deeper, do the work, and lean in to one another. Schaefer isn’t afraid to take on the hard topics in Text Me When You Get Home. Friendship is influenced by everything, and women have to overcome all of these difficult topics and societal failures in order to have a nurturing and wonderful relationship. From the data bias (explored in depth in Caroline Criado-Perez’s Invisible Women) to the biological “tend-and-befriend” response to New York City’s female only residences (Barbizon, the most famous, is featured in Fiona Davis’ The Dollhouse and was home to Silvia Plath) to marriage to feminism to careers. 

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Text Me When You Get Home by Kayleen Schaefer | Sunflower Set | Shoes | Purse | Bow | Bracelets | Sunglasses | Earrings

The most poignant moments in Text Me When You Get Home are when Schaefer talks about her personal experiences as a woman in a man’s world. The truly touching points involve her own evolution as a woman and discovery of female friendship. Female friends feed the soul in a way a man in any capacity is not able to, “I wanted my friends to consider me as necessary as they had become to me. I wanted them to know that these were long-term relationships and that I’d be there for them, too, in any way they might want.” 

In the past century, female friendship has been the in between; women are companions until a romantic partner is obtained. Historically this has never been true. The last century has seen women isolated and conditioned to depend on men in ways we never have as a gender in order to keep the status quo for as long as possible. This new generation of women is calling bullshit. We’re showing up for the good and the bad. We’re saying Text Me When You Get Home.

Memorable Quotes
“Men do not tell their friends to text them when they get home.”
“My friends took me out of the way I was taught to be and turned me into something better.”
“I thought making friends with women would interfere with my career in more ways than just distracting me from work. I thought if I wanted to be a writer, I had to look to men. That’s because real writers were men. No one told me this. They didn’t have to.”
“Marriage was something to look forward to, I was taught. Without a husband, you were supposed to feel incomplete.”
“For the first time in my life, I treated pursuing and tending to friendships seriously.”
“Women aren’t allowed to be jealous, angry, or vengeful, at least if we want to go on being seen as good girls.”
“It’s the incongruity between stopping ourselves from seeming anything but pleasant while ambitious, on one hand, and the belief that all women can’t have good things, on the other, that creates frenemies.”
“We can be protectors.”

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Title: Text Me When You Get Home; The Evolution and Triumph of Modern Female Friendship
Author: Kayleen Schaefer
Publisher: Dutton (Penguin Random House)
Copyright: 2019
ISBN: 9781101986141

Books, Fiction

Home for Erring and Outcast Girls by Julie Kibler

Worth A Read Yes
Length 400
Quick Review A librarian stumbles across a puzzling part of history in the Berachah Home, where erring girls went for a fresh start. 

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Reading Home for Erring and Outcast Girls by Julie Kibler in downtown Houston. | Dress | Belt | Earrings | Watch | Sunglasses

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Home for Erring and Outcast Girls by Julie Kibler is a much better novel than I expected to encounter. There are so many ways Kibler could have gone wrong, but she didn’t. Diving into complex women’s issues and how society dealt with the women in question paralleled by a century of “change.” Based on a real house in rural Texas serving real women, Kibler builds a world full of sorrow and empathy. 

In 2017, Cate is a librarian working in a Texas University Library’s archives and becomes fascinated looking through documentation of the Berachah home after stumbling upon a cemetery in 2017. She has a penchant for running and running away; she lives a solitary life aside from making a connection with one of her student workers. Dealing with a mysterious past, flashbacks to 1998 as a highschooler slowly reveal insight into her troubled past. In 1904, Lizzie Bates, Docie, and Mattie Corder are escaping the evils of a patriarchal society by finding refuge in the Berachah Home for Erring and Outcast Girls. They find solace surrounded by religion and other fallen women and their children as they are taught skills to fend for themselves.  

Kibler touches on everything from drugs to rape to incest to abuse and more in this raw historical fiction about loss and friendship. Home for Erring and Outcast Girls drives home the fact that women take a backseat to men, always. Their plans. Their dreams. Their reputations. Their futures. This has been a truth for the majority of societies for as long as history can document. As much as things are changing, much remains the same. Including Cate, as a contemporary woman, shows the parallel between the two eras and how little has changed for women. How little choice there is.  

The Berachah Home really did exist outside of Arlington, Texas and was founded by James and Maggie Upchurch. They had a revolutionary idea to keep the children with their mothers. At the time, mother’s were separated from their children without a choice, more often than not, when the children were born out of wedlock. There are real excerpt from The Purity Journal, which went out to graduates of the home and donors. 

Abuse is a central point in Home for Erring and Outcast Girls. Kibler makes a beautiful statement I and many other survivors of abuse, loss, abandonment, addiction, rape, assault, and more have felt: “Or how I maybe didn’t fight hard enough, or say no the right way, or at the right times.” Guilt and shame are a raw undercurrent in this book about being helpless and reclaiming an identity in the after. Everyone survives their own hell, but so many of the emotions and recovery processes are the similar. 

Religion is a character in its own right in this novel. It plays a role of savior but also demon. Kibler is not afraid to show the church in the light of benefactor and evil doer depending on the point of view of the character. Religion is not one size fits all, and everyone has different experiences. Even in the most positive of lights, the church do not do right by women. Women are often depicted as temptresses “because churches, in general, are still bastions of judgement masquerading as refugees of grace and acceptance.” 

I was utterly surprised at how much I enjoyed this book. I wasn’t sure what to expect, but Julie Kibler captured my interest and respect with her cutting and insightful novel Home for Erring and Outcast Girls

Memorable Quotes
“A room filled with people can be lonelier than solitude.”
“Her ma had done what she must to survive, and that was how it was for women.”
“It was always the man who took what he wanted, and the woman who lost everything.”
“Devastation was a pain you thought would never go away, and sometimes it didn’t.”

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Title: Home for Erring and Outcast Girls
Author: Julie Kibler
Publisher: Crown
Copyright: 2019
ISBN: 9780451499332

Books, Fiction

The Dollhouse by Fiona Davis

Worth A Read Meh
Length 289
Quick Review The Barbizon is now condos but used to house hundreds of girls looking to make it in NYC. What happens when the lives of a long-time resident and new resident collide?

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Reading The Dollhouse by Fiona Davis at Glassell. | Dress | Watch | Earrings 
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The Dollhouse by Fiona Davis

The Barbizon really did exist as a women’s only residence in New York City. In 2005, the building was converted into condominiums. Fiona Davis creates a world where the two identities of the Barbizon meet in her novel The Dollhouse. A mystery with a touch of love and a lot of independent women searching for belonging. 

Rose, a journalist, lives in the Barbizon with her boyfriend in 2016. Her boyfriend decides to go back to his ex-wife, Rose is left with a lot of time on her hands and a curiosity about the women who have been in her building for decades. Darby, an elderly tenant, never leaves her apartment without a veil, and the mystery piques Roses interest. Models, night clubs, drug raids, friendship, and more. Rose is on a journalist’s hunt with a personal investment. 

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Reading The Dollhouse by Fiona Davis. | Dress | Watch | Earrings

Davis crafts the plot of The Dollhouse well. The chapters alternate between following Rose in 2016 and Darby in 1952. There is restraint in the story telling and tries to add some good twists, but I found the plot fairly predictable. 

 Overall The Dollhouse maintains a nice pace throughout the story and avoids clichés until the last five pages when she throws a good book in the toilet. I actually did not mind this one at all, but the last bit just ruined it for me. Davis does a good job maintaining a consistent and interesting pace, but the ending comes quickly and suddenly. It’s as if her editor asked her to wrap everything up with a nice bow and throw the love story completely out of proportion with the rest of the story. It was saccharine and a little vomit inducing how spoonfed it was. What was an interesting story about finding oneself and relationships between women ended up being a deflated mess of an ooey-gooey love story. 

If I could erase the last five pages, I would like The Dollhouse much better. I’m trying not to let the ending overpower the other nice 200 or so pages, but I can’t. 

Memorable Quotes
“His eyes, which were the color of seawater, had a laserlike intensity that made politics the obvious career choice. That or terrorist interrogator.”
“Not scared of change, like Darby was, but scared of staying put, staying unchanged.”

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Title: The Dollhouse
Author: Fiona Davis
Publisher: Dutton
Copyright: 2016
ISBN: 9781101984994

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The Dollhouse | Dress | Earrings | Watch
Books, NonFiction

Queen Meryl by Erin Carlson

Worth A Read Yes
Length 320
Quick Review Meryl Streep has the most Academy Award nominations of any actor ever. There’s a reason for that, and Erin Carlson dives into the why in Queen Meryl

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Reading Queen Meryl by Erin Carlson in Houston, Texas. | Dress | Shoes | Watch |

Happy Publication day to Erin Carlson and Queen Meryl from Hachette Books. I like Erin Carlson as an author; I like Meryl Streep as an actress. The combination makes for a great and informative read. 

Meryl Streep has become an enigma. She is probably one of the greatest movie stars to have ever lived. With 21 Academy Award nominations, it’s hard to argue the contrary. She has had her critics, like all great artists do. Through it all, she has brought characters to life on the stage and the silver screen. She has not let age or Hollywood hold her back from telling complex stories with grace. Erin Carlson brings this magnificent woman to life in her latest book Queen Meryl

Beginning in Meryl’s formative years, Carlson looks at what transformed Mary Louise, the girl, into Meryl, the artist and actress. Carlson follows Meryl Streep’s career from stage to film, documenting the most important phases in her career and life. Meryl Streep has spent her career choosing films with care to tell women’s diverse stories. From Kramer vs. Kramer to Out of Africa to Silkwood to Mamma Mia to The Devil Wears Prada and so many more. 

Carlson allows Streep a voice by quoting her often throughout Queen Meryl. Pulling from speeches, history, friendships, interviews, and more, Carlson creates an image of the woman and the artist fighting for visibility and change through her work and activism. Streep is funny and self-deprecating while still exuding assuredness.   

Queen Meryl includes breaks for history lessons, speech snippets, critical responses, and more. The book also includes sketches of Streep throughout her career before every chapter. A few iconic photos are used at key points. Each chapter begins with a memorable quote from the movie Carlson will focus on during that chapter. It is obvious that Carlson is in awe of the legend and the woman; her ability to speak directly to the reader about her own emotions is a good pairing for the seemingly warm and hilarious Streep. 

I highly enjoyed reading Queen Meryl by Erin Carlson. I have loved Meryl Streep for as long as I can remember, but there was so much I didn’t know about her life and career. She is inspiring as a person and activist. I hope the world remembers her as the complex and interesting woman Erin Carlson paints her to be. 

Memorable Quotes
“Allow me to describe the plot of this 1977 gem of a movie that you should drop everything (except this book) and watch immediately…”
“Despite her perfect image, Meryl wasn’t immune to insecurity – especially during dark nights of the soul when the mind tends to ruminate on uncertainty, regret, and rejection.”
“Meryl avoided doing films that sexualized her or made her a prop to a male lead.”

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Title: Queen Meryl; The Iconic Roles, Heroic Deeds, and Legendary Life of Meryl Streep
Author: Erin Carlson
Publisher: Hachette Books
Copyright: 2019
ISBN: 9780316485272

Books, NonFiction

Motherland by Elissa Altman

Worth A Read Absolutely
Length 272
Quick Review Elissa Altman and her mother have always had a trying relationship. Altman explores their history in order to come to peace with and understand it. 

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Reading Motherland by Elissa Altman in downtown Houston. | Skirt | Watch | Top | Shoes |
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Motherland by Elissa Altman | Watch

Mother daughter relationships are hard under even the best of circumstances. When someone puts pen to paper about it, you know it is even more fraught. And usually the mom is dead, but Elissa Altman writes while her mother is still living. Motherland is, at its essence, an exploration of addiction and recovery and living with it.

Moms are hard. I probably have a skewed perception because I have struggled with the mom relationship since I became a cognizant person. Motherland resonated with me on a very visceral level. I finished it in a few hours without getting up to even refill my teacup. 

Elissa Altman is a lesbian woman raised by starlet mother in New York City. (Her father was supportive and present and seems like a really good dad and person, but this story isn’t about him.) Her mother had a career in entertainment before meeting her first husband and having a child, Altman. For the rest of her life, she would remind everyone of who she used to be, all while reminding her daughter what she had given up for her

From the start, it is wildly apparent the relationship between Altman and her mother is unhealthy under the best of circumstances. Her mother never made the shift in her mind that her days on TV were no longer. She lives as if the idea of her past self is all she was, is, and ever will be to the point Altman states, “She was a myth I searched for and never found.” Oh my god that sentence cuts me to the quick.  

  • “It was not the alcohol to which I was addicted; it was she…” About going to AA without an alcohol addiction.
  • A lot of I loved you the most did everything for you what has anyone else done that I didn’t and couldn’t do for you
  • It feels like my mother 
  • “The belief that whatever she was dishing out. I somehow deserved.”

Memorable Quotes
“Like the Centralia Mine fire, my mother and I have been burning for half a century.”
“It had been a choice: my mother’s life, or my own.”
No family likes having a writer in their midst, says a close friend. … No family ever says Yay. A writer.”

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Title: Motherland: A Memoir of Love, Loathing, and Longing
Author: Elissa Altman
Publisher: Ballantine Books
Copyright: 2019
ISBN: 9780399181580

Books, NonFiction

Invisible Women by Caroline Criado Perez

Worth A Read Yes
Length 432
Quick Review The world is full of inequity. Some is intentional. Some is unintentional. Data bias affects women significantly from getting around to being diagnosed to just being inconvenienced. Data is blind, especially when the data doesn’t include women. a

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Invisible Women by Caroline Criado Perez | Jeans | Shirt 

My best friend told me about this book because he read it and was impressed. I was impressed he picked up a book about women’s issues. He’s no mysoginist; he’s just a man with interests lying elsewhere. 

At its core Invisible Women is about discrimination. The data gap may not be malicious or even something done on purpose, but it exists and perpetuates gender inequality around the world in small and big ways most people have not or will ever contemplate. I have lots of feelings and thoughts on Caroline Criado Perez’s Invisible Women. I’m impressed. She pulls from a variety of sources on a variety of topics from snow removal to the lack of inclusion in medical research. I can only imagine the amount of information and studies she left out of the book, but she chose things of seeming inconsequence to things of extreme consequence. The bottom line:

  • Women are other.
  • Humanity suffers. 

There were so many insanely great quotable moments in the book: Most of my notes are just quotes. I’ll include all of the ones I jotted down at the bottom because they’re just too good. Invisible Women can be completely summed up in this quote on how the data gap  “is simply the product of a way of thinking that has been around for millenia and is therefore a kind of not thinking.”

I loved every part of this book. She writes on topics I honestly had no idea about: how snow removal is inadvertantly keeping women from succeeding. She also discusses topics I knew about but hadn’t though of in terms of gender equality: gendered language uses the male form as the default, but nongenderized languages don’t have better equality. To gendered discrimination I have personally experienced: medicine is not geared towards women, making them a priority, or taking their pain and symptoms seriously. (Had a listened to one asshat doctor who didn’t believe me or take me seriously, I would have died.)

Honestly, I would love to discuss all of the points Criado Perez makes in Invisible Women. If you have an interest, hit me up. I’m always up for a gender discussion. 

Criado Perez does a great job presenting the data and mostly the lack of data. She makes her points. She rarely includes anecdotes unless those anecdotes were included in studies. She bases all of her arguments in fact, leaving feelings and emotions behind. I, personally, love an emotional ploy. I, also, understand it’s not what fuels change on a systemic level. Criado Perez keeps herself out of the book. She’s acting as an information conduit. Her personality and opinions seep through in small ways. Her phrasing and occasional parenthetical statement packs a punch making it both interesting and a tiny pull at the emotional strings. She has a sense of humor to her writing, and I caught myself giggling more than once. 

Caroline Criado Perez has a way with words in Invisible Women. She is persuasive and interesting. One of the more important quotes is the very last sentence of the book: “All people needed to do was to ask women.” 

Memorable Quotes
“the chroniclers of the past have left little space for women’s role in the evolution of humanity, whether cultural or biological. Instead, the lives of men have been taken to represent those of humans overall.”
“Men go without saying, and women don’t get said at all.” hit me in the feels
“it matters when women literally can’t get said at all”
“Women have always worked. They have worked unpaid, underpaid, underappreciated, and invisibly, but they have always worked.”
“When it comes to the tech that ends up in our pockets (I’m ever hopeful)”
“We lack consistent, sex-disaggregated data from every country…”
“we continue to rely on data from studies done on men as if they apply to women.”
“And as an added bonus, not forcing women to march in time with men has not, as yet, led to the apocolypse.”
“Different sex: totally opposite result.”

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Title: Invisible Women; Data Bias in a World Designed for Men
Author: Caroline Criado Perez
Publisher: Abrams Press (Abrams)
Copyright: 2019
ISBN: 9781419729072