Worth A Read Meh Length 240 Quick Review Darcy Fitzwilliam returns to Pemberley, Ohio for Christmas when her mother gets sick and meets her childhood nemesis Luke Bennet.
Jane Austen’s Pride and Prejudice has provided inspiration for readers and authors alike, inspiring retellings and fanfiction. Melissa de la Cruz joins numerous others in reworking the classic to fit into the modern world for a contemporary audience. Pride and Prejudice and Mistletoe is a unique adaptiation.
Darcy Fitzwilliams comes from money, but she made her own when she took on New York City. After eight years away, she returns home to Pemberley at Christmas time after her mother has a heart attack. There’s family and romantic drama galore.
de la Cruz is inventive with character names, genders, and sexualities, which adds diversity to the classic. Instead of focusing on the traditional Elizabeth Bennet character, it is told from the Darcy perspective, who is now an influential business woman with a gay best friend, cue Bingley.
I like the reinvention happening in Pride and Prejudice and Mistletoe, but it falls into the same traps many retellings do. Insult to injury, all the problems plaguing Christmas Hallmark movies are seen within the pages. Mistletoe is completely devoid of societal critique let alone the sharp with Austen is known for. It waters down a classic romance to nothing more than a shallow love story. The narrative can’t even rely on clever language; at the best of times, the syntax is clunky and highly repetitive. de la Cruz is spoon feeding emotions, plots, personalities, and how-to-feels to the reader like a Christmassy treacle.
Darcy is supposed to be a strong independent woman but plummets into the anti-feminist and problematic ideology of “boys will be boys, and they’re mean to girls they like.” I don’t believe a woman with her drive, career, and education would act or react in any of the ways the character does in Pride and Prejudice and Mistletoe. They’re unrealistic throughout, but the last quarter is bullshit. In the original, Darcy never leads anyone on, where as this version leads on a genuinely decent man, and she’s just mean.
Pride and Prejudice and Mistletoe was made into a Hallmark movie, and I can see why. It supplies all the romance people love to see during the holidays without any real substance.
Worth A Read Absolutely Length 320 Quick Review Zitkála-Šá uses her experience as Sioux woman to write nonfiction stories, short stories, and poems to fight for change and equality long before the fight received any recognition.
November is National Native American Heritage Month, and I never knew that until this year when I looked up to see if they had a month… Suffice to say, we could do better educating the people of this country about the indigenous people who lived here long before we barged in and stole their land. I don’t know very much about native culture or history, so I definitely need to do better. After reading Zitkála-Šá’s American Indian Stories, I need to make more of an effort to read and appreciate Native American literature and writing.
There’s a shitty irony in the fact American Indian Stories is written in English, the language of the colonizer. Zitkála-Šá writes about her life and tells stories inspired by her people, but in order to get published or reach a wide audience, she had to write in English. A language she was not raised speaking and struggled to learn in a harsh and cruel environment.
American Indian Stories paints a beautiful and heartbreaking picture of a land and a close knit community ingrained with caring for the needs of others, respect each other, and being a part of nature. It’s more than a book about being a native child and woman; it’s about her journey into activism. From being a young child chasing her own shadow on the plains to a child angrily hiding from a haircut or ruining turnips for dinner in the city, she pushed back and followed her own path.
The writing is beautiful. Even when the stories are being told from a child’s perspective, they are poignant, “I sank deep into the corner of my seat, for I resented being watched.” or “”… for now I was only one of many little animals driven by a herder.” The contrast between home on the plains and living in a boarding house in the city is stark. In the modern world full of sound, lights, technology, and people, I didn’t think about the sensory attack it was for her to move into a bustling city. Her inability to move or feel the breeze from the plains would have been stifling in its own right. The language and style Zitkála-Šá utilizes throughout American Indian Stories changes to punctuate the emotions she or her characters were going through. Life on the plains was illustrated with long and flowing syntax to the point of being lackadaisical. Her experiences in the boarding house and among white people changed the style into short sentences with precise punctuation, which only reveals a small part of the tension, anxiety, anger, and sadness she must have been feeling at the time.
Zitkála-Šá depicts strong people and characters in her book. The most interesting and abundant characters are strong women. She was an incredibly strong woman herself. She was a writer, musician, activist, politician, and more, so it should be no surprise, her characters are independent women. In “A Warrior’s Daughter,” she shows a woman can be brutal warriors, saviors, and gentle all at the same time. They don’t have to choose between being strong and vulnerable or a warrior and a wife; women are capable of great things simultaneously.
As a native Midwesterner from a neighboring state to Zitkála-Šá’s home state of South Dakota, her descriptions of nature resonate with my history. The land she ran across as a child is the same land I did. There are stark differences, of course. As a child standing on a hill looking at the rolling fields and feeling a sense of belonging and freedom, we were the same for a moment. These shared histories and emotional memories are what connect us as humans across differences and time. She was born 115 year before I was into a very different life and way of life, but her home is my home. Reading her childhood memories of South Dakota in American Indian Stories felt like reading my own childhood memories of Iowa.
Through so much of this book, I kept thinking What the fuck, white people??? As a linguist – and probably as an intersectional human being – I can’t fathom thinking corporal punishment will make children suddenly speak a foreign language. The whole boarding house situation was appalling. There was no understanding of children or their needs, let alone the needs of children from different backgrounds, cultures, and languages. It broke my heart. I knew what happened and went on, but it’s another thing to read someone’s experiences.
American Indian Stories is a beautiful book. It’s small. It has an incredible emotional depth full of meaning and insight into our past as Americans and what has been done. It is heartbreaking and relatable because her experiences are human. Zitkála-Šá calls out the wrongs she and her people faced a century ago, but those wrongs continue to be done.
Memorable Quotes “The most gruesome conflict, make no mistake, was within the self, in the individual heart that was, at one time, culturally defined by connection to others.” Forward by Layli Long Soldier “They treated my best judgement, poor as it was, with the utmost respect.”
Worth A Read Yes Length 271 Quick Review Charles Dickens is having a midlife crisis at Christmas time, and his publishers are demanding a Christmas novel when everything in his life is falling apart.
Silva bases her novel, Mr. Dickens and His Carol, off a real winter of Dickens’ life but reimagines and reorders facts and people to make an interesting novel. I’ve read a fair few Christmas novels, and this is far from the worst.
Charles Dickens should be feeling joy welcoming another child into the world before Christmas, but instead he’s feeling everything but. His latest book was a disaster, his family’s debts are piling up, his wife takes the children and leaves him, and his publishers are demanding a Christmas book. A usually jolly and kind man, Dickens becomes a morose grump searching for a muse when he stumbles on inspiration.
Ebenezer Scrooge’s journey is paralleled with Charles Dickens’ character development throughout the plot of Mr. Dickens and His Carol. It’s a sweet story full of Christmas spirit and a little mystery. Silva gets three points for using “defenestration” in a sentence – not a word that normally comes up.
The style can be a little much for the story. Silva has a tendency to become overly descriptive in an attempt to mimic the real Dickens but with less success. When Silva is not decorating the page with her verbosity, she tells a pretty good story about Dickens’ internal struggle to be a good father, husband, citizen, and writer while not giving in to the whims of publishing or depression. The character development is solid and interesting if not predictable.
Mr. Dickens and His Carol is a great easy read for the whole family this Christmas season. It will warm the heart and make you wish you could be in London listening to the real Dickens tell his carol.
Memorable Quotes “His father was north of sixty, but by temperament still a good deal south of death.” “He knew that every person was a fiery furnace of passions and attachments, unknown to every other.”
French Quarter Fiction is one of those anthologies: it has something for everyone. (Unless you hate short stories, then it doesn’t have anything for you.) As much as I love reading anthologies, I hate reviewing them because there is too much to say. It’s impossible to focus on style because it changes from story to story with the authors. No one wants to read a detailed literary analysis of every short story in an anthology; most people don’t want to read a literary analysis ever. The messages and themes and character development and everything else shifts just as much. Instead, I like to focus on the fact it’s done well or not.
New Orleans is a vibrant and unique city; I don’t think one story or one author has been able to capture the essence of this iconic place. It means different things to different people. The one thing it does for everyone is evoke feeling; whether they love it or hate it, there are emotions associated with New Orleans. In my opinion, an anthology does a better job at capturing the spirit of the French Quarter because there is a spirit in those streets.
Joshua Clark does an excellent job choosing stories by well known and highly acclaimed authors to lesser known. The stories range from heart breaking to hilarious.
The French Quarter and alcohol are synonymous. You can walk around with a drink in your hand in the Quarter. You should because everyone does. New Orleans wouldn’t be New Orleans without alcohol being a part of the story. The stories begin with a map so you can orient yourself. French Quarter Fiction is divided up into sections. Each section is started with an iconic drink name, the history, and a recipe. I don’t drink, but you should read this with a drink in your hand. It won’t make it better because it’s already good, but it will give you an authentic New Orleans experience from your couch.
I seriously suggest picking up French Quarter Fiction if you love New Orleans or have an interest in the city.
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Title: French Quarter Fiction Edited By: Joshua Clark Publisher: Fall River Press (Light of New Orleans Publishing, LLC) Copyright: 2010 ISBN: 9781435123953
I love words. I should; I’m a writer and a linguist. My job is literally words, words, and words. This book lives up to its name The Little Book of Lost Words. At less than 200 pages, there are 88 old yet oddly modern words. Joe Gillard chose 88 words from across time and languages – but mostly English – to include in this amalgam of linguistic precision.
Words are fascinating. So many included sound familiar or similar to modern terms because of the way language evolves over time to suit the needs of people. These words are oddly specific, but many could have a place in modern usage: fabulosity or doundrins, for example.
The Little Book of Lost Words is a short and sweet book to read, but would make the perfect coffee table book. With one word per two pages, it is easy to peruse. The word is given with its origination and date of usage. A phonetic pronunciation is included, followed by the word used in a sentence. The sentences are usually comical and always modern. Gillard probably has an obsession with cats, or grimalkins, because he brings them up repeatedly and uses them in example sentences. Each word is illustrated by classical artwork, which drives home the humor of language and historicals need for certain words.
I read so much old literature. I even found I found a few words I really do use in real life… If you have a love of old literature or a familiarity, almost all of these words will not come as a surprise because they were actually used.
Memorable Quotes “There are very few treasures that we can dig out of the ground, dust off, and put into use as if they were brand new. Words, of course, are an exception.” “It’s hard to define exactly why we love these dusty, musty archaic words.” “Practicality may chip away at our language, but the magic of the lost words in this book ought not to be forgotten.”
Hi. Halloween has come and gone, which means it’s the best season of all. Christmas. I’ve been listening to Christmas music for eleven days now. Last year, I read a bunch of Christmas books in three weeks. I started earlier this year, but I have more to read. I haven’t posted any seasonal book reviews yet because I know not everyone is as Christmabsessed as I am. Anyways, here are eleven books you can and should read during the happiest time of year.
Some of these I’ve read in previous years. Some I have read this year, and there are a few I haven’t read yet, but they’re waiting for me on my shelf to read in front of the tree!!!
